“'Mercy,' new medical drama could be fun - Tulsa World” plus 4 more |
- 'Mercy,' new medical drama could be fun - Tulsa World
- GO! Arts and Entertainment for Sept. 20-26 - North County Times
- The Ringmaster: El Pasoan Steve Dixon stages Britney Spears ... - El Paso Times
- Concert `without borders' not without politics - The Miami Herald
- Cuban rocker Gorki Aguila: Juanes concert will be manipulated - The Miami Herald
| 'Mercy,' new medical drama could be fun - Tulsa World Posted: 20 Sep 2009 12:21 AM PDT Nurse Ronnie Callahan's li
fe is careening from one crisis to another in NBC's new medical drama "Mercy." Callahan — well played by TV newcomer Taylor Schilling — is just back from two bloody tours of duty in a military hospital in Iraq. She's separated from the husband who cheated on her but wants her back. And, like Britney Spears, she's not that innocent either. Her parents are boozers. She has total disdain for inept residents at Mercy Hospital. She's wound tight and, underneath, is a damaged person unraveling while struggling to find her way back. She's all about patient care and whoever gets in her way better be prepared — there are consequences. Yes, lots of Meredith moments are in this series pilot — as in Meredith Grey in ABC's medical drama "Grey's Anatomy." In "Mercy," Callahan meets mediocre medical care and judgment on the part of doctors with righteous indignation, humiliation and force if required. A fair amount of sex, insecurity and medical stupidity and brilliance is involved. And, yes, her one-war stand (instead of a one-night like Meredith's with Dr. McDreamy) does comes back to haunt her. Mercy me, this could be fun. If lead actress Schilling doesn't look familiar, don't worry. She shouldn't. This former nanny is virtually unknown in television and has one indie film to her credit. But it's her walking wounded Ronnie that instantly sucks up all the attention in this sexy drama set in a hospital but more about "characters than science," according to executive producer Liz Heldens.The plot line is simple: Follow three nurses as they navigate the trauma and drama inside the hospital and outside in the real world. The other two nurses are played by Michelle Trachtenberg as naïve newbie Chloe and drop-dead gorgeous Sonia, played by Jaime Lee Kirchner. But it's Schilling's character who will pull you into the storylines. For Schilling, 24, starring in her first network television series is just like Christmas. "I feel like I'm living my dream right now," said the actress, the daughter of a now divorced former prosecutor and an administrator at the Massachusetts Institute of Technology. " I feel like I'm going to tell this really remarkable story and talk about this great woman's life. And, it's a great cast and there are a lot of people to lean on. So I just feel like it's Christmas." So why should you watch? "From where I'm sitting," Schilling said in a recent teleconference, "it's a show that seems really to be about people Real people trying to get through their lives outside and inside work. "And I would imagine if I as a viewer it would be really exciting for me at this time in my life as a woman to see someone who is strong and honestly trying to do the right thing but not be a hero."
Rita Sherrow 581-8360 rita.sherrow@tulsaworld.com This posting includes an audio/video/photo media file: Download Now |
| GO! Arts and Entertainment for Sept. 20-26 - North County Times Posted: 20 Sep 2009 12:07 AM PDT Sunday, Sept. 20 Julian Bluegrass Festival ---- 39th annual two-day bluegrass festival features This Just In!, the Scott Gates Band, Blue Creek Band, Chandler Station; 9 a.m. to 4 p.m.; Frank Lane Park, 2645 Farmers Road, Julian; $15, general; children under 16 are free; julianbluegrassfestival.com. San Diego Chamber Music Society Quartet ---- Program includes piano quintets by Beethoven and Mozart; 2:30 p.m.; Scripps Miramar Ranch Library, 10301 Scripps Lake Drive, San Diego; free; srfol.org. Monday, Sept. 21 Ian Tordella Jazz Trio ---- Noon; Athenaeum Music & Arts Library, 1008 Wall St., La Jolla; free; 858-454-5872 or ljathenaeum.org. Australian Pink Floyd ---- Performing "Dark Side of the Moon" plus a set of other songs; 7:30 p.m.; Humphrey's Concerts by the Bay, 2241 Shelter Island Drive, San Diego; $55; 619-220-8497 or humphreysconcerts.com. Flogging Molly ---- First of two nights of rowdy Irish punk. Classic ska band Hepcat ---- Fitz and Tantrums also on the bill; 7 p.m.; House of Blues San Diego, 1055 Fifth Ave., San Diego; $31.50-$36.50; 619-299-2583 or hob.com/sandiego. Tuesday, Sept. 22 Stan Ridgway ---- Still probably best known for Wall of Voodoo ("Mexican Radio"), which ended in 1983. He released a collection of children's music last year, but chances are he won't play that material here. The twang-peddler Sara Petite opens; 9 p.m.; Belly Up Tavern, 143 S. Cedros Ave., Solana Beach; $15-$17; 858-481-8140 or bellyup.com. "A Night on Broadway" ---- California Youth Conservatory hosts its annual Broadway gala fundraising concert featuring Megan Starr-Levitt, who has played Christine on Broadway in "The Phantom of the Opera," and performances by many local artists; 7 p.m.; Lyceum Theatre, 79 Horton Plaza, San Diego; $40-$75; 619-544-1000. Wednesday, Sept. 23 Robert Cray Band ---- Cray leads his revamped band through songs off his latest CD and rest of his catalog. Check out an interview with Cray in last Thursday's Preview section or at nctimes.com/entertainment. 9 p.m.; Belly Up Tavern, 143 S. Cedros Ave., Solana Beach; $40-$42; 858-481-8140 or bellyup.com. Sondre Lerche ---- Norwegian songwriter just saw the release of a new album called "Heartbeat Radio" on Rounder Records. JBM opens; 8:30 p.m.; the Casbah, 2501 Kettner Blvd., San Diego; $15; 619-232-4355 or casbahmusic.com. Thursday, Sept. 24 Pitbull ---- With David Rush, Dago Braves; hip-hop; 7 p.m. Sept. 24; House of Blues San Diego, 1055 Fifth Ave., San Diego; $29-$32; 619-299-2583 or hob.com/sandiego. Britney Spears ---- If she's anything like she was on "Letterman," she is officially back; 8 p.m.; San Diego Sports Arena, 3500 Sports Arena Blvd., San Diego; $55-$129; 619-220-8497 or ticketmaster.com. Iris Dement ---- Folk/country artist; 8 p.m.; Belly Up Tavern, 143 S. Cedros Ave., Solana Beach; $22-$24; 858-481-8140 or bellyup.com. "Dear Harvey" opens ---- San Diego State University presents Patricia Loughrey and Thomas Hodge's musical about the life of slain San Francisco politician and gay rights advocate Harvey Milk; runs through Oct. 2; call for showtimes; Don Powell Theatre, SDSU, 5200 Campanile St., San Diego; $13-$15; 619-594-6884. "Man From Nebraska" ---- Cygnet Theatre presents Tracy Letts' drama about a Midwestern husband and father whose crisis of faith sends him to London to recapture his lost youth; 7:30 p.m. (also 8 p.m. Friday; 2 and 8 p.m. Saturday; 2 and 7 p.m. Sept. 27); runs through Nov. 1; Cygnet's Old Town Theatre, Juan and Twiggs streets, San Diego; $17-$46; 619-337-1525. Friday, Sept. 25 The Get Up Kids ---- The Midwestern emo band that started it all. Youth Group and Pretty & Nice; 8 p.m.; House of Blues San Diego, 1055 Fifth Ave., San Diego; $21.50-$25; 619-299-2583 or hob.com/sandiego. Sugar Ray ---- OC-bred band is back with a new album with the timely title of "Music for Cougars"; 8 p.m.; Legends Lounge, Hard Rock Hotel San Diego, 207 Fifth Ave., San Diego; $25; 619-702-3000. Alejandra Guzman ---- Latin pop; 8 p.m.; Pechanga Showroom, Pechanga Resort & Casino, 45000 Pechanga Parkway, Temecula; $55-$80; 877-711-2946 or pechanga.com. "The Piano Man" ---- Skye Productions presents singer/pianist Terry Davies in this tribute to the music of singer/songwriter/pianists Elton John and Billy Joel; 8 p.m.; California Center for the Arts, Escondido, 340 N. Escondido Blvd., Escondido; $20-$50; 800-988-4253 or www.artcenter.org. The Beach Boys ---- Featuring Mike Love and Bruce Johnston; 7:30 p.m.; Humphrey's Concerts by the Bay, 2241 Shelter Island Drive, San Diego; $75; 619-220-8497 or humphreysconcerts.com; also 8 p.m. Saturday; Valley View Casino, 16300 Nyemii Pass Road, Valley Center; $55-$70; 619-220-8497 or valleyviewcasino.com/entertainment. Carlsbad Music Festival: California E.A.R. Unit ---- The sixth annual new music festival features the California modern music ensemble performing world premiere compositions by John Luther Adams and Keeril Makan along with works by festival founder/composer Matt McBane, Daniel Wohl, Ryan Brown and Yannis Kyrakides; 8 p.m.; Schulman Auditorium, Carlsbad City Library, 1775 Dove Lane, Carlsbad; $25, reserved; $15, general; $8, students; 760-809-5501 or carlsbadmusicfestival.org. John Brown's Body ---- reggae; 9 p.m.; Belly Up Tavern, 143 S. Cedros Ave., Solana Beach; $17-$19; 858-481-8140 or bellyup.com. Saturday, Sept. 26 New exhibit at Athenaeum Music & Arts Library ---- "Artists Books and Other Works" runs through Nov. 7; 10 a.m. to 5:30 p.m.; 1008 Wall St., La Jolla; 858-454-5872 or ljathenaeum.org. New exhibits at Museum of Contemporary Art San Diego, La Jolla ---- "Automatic Cities: The Architectural Imaginary in Contemporary Art" and "Museums in Miniature: Works by Marcel Duchamp and Joseph Cornell" run through Jan 31; 11 a.m. to 5 p.m.; 700 Prospect St., La Jolla; $10 adults (26 and over), $5 seniors and military, free for 25 and under; 858-454-3541 or mcasd.org. Sara Petite and the Tiger Mountain Boys ---- Bluegrass; 3:30 p.m.; Palomar Unitarian Universalist Fellowship, 1600 Buena Vista Drive, Vista; $10; 760-941-4319. Smooth jazz and sand---- KIFM Jazz at the Beach features Richard Elliot, Rick Braun and Jonathan Butler; 4 p.m.; Oceanside Pier Amphitheater, 200 N. The Strand, Oceanside; $27.50-$37.50; kifm.com. Autolux ---- L.A. alt-rock band; 7 p.m.; SOMA San Diego, 3350 Sports Arena Blvd., Suite I, San Diego; $15; 619-226-7662 or somasandiego.com. Kathy Griffin ---- Comedian and TV personality; 7 and 9:30 p.m.; San Diego Civic Theatre, Third Avenue at B Street, San Diego; $47.50-$62.50; 619-220-8497. Fred Benedetti and George Svoboda ---- Acoustic guitar duo playing flamenco and world beat; 7:30 p.m.; San Dieguito United Methodist Church, 170 Calle Magdalena, Encinitas; $18; 858-566-4040. Keali'i Reichel ---- Hawaiian music; 7:30 p.m.; Humphrey's Concerts by the Bay, 2241 Shelter Island Drive, San Diego; $50; $113, dinner package; 619-220-8497 or humphreysconcerts.com. "Alan Cumming: I Bought a Blue Car Today" ---- Tony-winning British stage and film star Alan Cumming presents this one-man show about his experiences in America and songs by some of his musical idols; 7:30 and 9:30 p.m.; Orange County Performing Arts Center, 600 Town Center Drive, Costa Mesa; 714-556-2787 or www.ocpac.org. "The Male Intellect: An Oxymoron?" ---- Robert Dubac plays multiple characters in his long-running, award-winning 90-minute show about one man's quest to figure out the mysterious answer to what women want in a relationship; 8 p.m.; Carlsbad Village Theatre, 2822 State St., Carlsbad; $15 in advance; $20 at door; 760-720-2460. "The Savannah Disputation" ---- The Old Globe presents Evan Smith's comedy about a Catholic woman who enlists an unsuspecting priest in a devilish dinner party to bring her faithless sister back into the fold; 8 p.m. (also 2 and 7 p.m. Sept. 27); Old Globe at the James S. Copley Auditorium, San Diego Museum of Art, Balboa Park, San Diego; $29-$59; 619-234-5623 or oldglobe.org. Chickenfoot ---- You cannot stop Joe Satriani, Chad Smith, Michael Anthony and Sammy Hagar, you can only hope to contain them; 8 p.m.; Open Sky Theater, Harrah's Rincon Casino & Resort, 777 Harrah's Rincon Way, Valley Center; $45-$125; 800-745-3000 or ticketmaster.com. Young Dubliners ---- 9 p.m.; Belly Up Tavern, 143 S. Cedros Ave., Solana Beach; $22; 858-481-8140 or bellyup.com. This posting includes an audio/video/photo media file: Download Now |
| The Ringmaster: El Pasoan Steve Dixon stages Britney Spears ... - El Paso Times Posted: 19 Sep 2009 10:55 PM PDT EL PASO -- Steve Dixon drove to Britney Spears' lush digs near Los Angeles last year to hear songs from what would become her new "Circus" album, the title an obvious reference to what the pop star's life had become. Dixon, a graduate of El Paso's Coronado High School and her longtime tour accountant, latched onto it like a skilled trapeze artist. "It's got to be a three-ring circus. It has to be larger than life," he said of the stage presentation he was asked to help create for her first tour in five years. "She was doing great at that point already. She was motivated and ready to go. She was on a health kick. Still is. So she was just ready," he said. "We figured it has to be biggest thing on the planet -- and it is." "It" is the elaborate three-ring circus stage that will be on display Monday when the remade and remodeled teen pop icon's "The Circus Starring Britney Spears" comes to town at 8 p.m. at the Don Haskins Center. It should fill all 11,800 seats. That the tour is coming to El Paso at all is a surprise for a city that does not host many superstar acts. Dixon acknowledges that he steered it here. "I've got to show my mom and dad that at least once in their lives that I have a real job," joked the 45-year-old tour director and production designer. "I really wanted to prove El Paso-Las Cruces as a market that could handle a show like this," said Dixon, who oversees virtually every aspect of the operation, including 46 performers, a 212-person crew and 28 semi-trailers worth of gear.The Don is the smallest arena on the tour, Dixon said, forcing him to squeeze its stage into the basketball arena. When a guy has earned a reputation for running efficient, profitable concert tours, people such as Britney Spears listen. So have his other employers, including Justin Timberlake, 'N Sync, the Backstreet Boys, Alicia Keys and Barry Manilow. Carol Roberts-Spence, special events director for the University of Texas at El Paso, said Dixon stands out in the music world. "He's very professional and he, of all the ones I've dealt with, is probably one of the best ones out there," she said. "He knows his business." So how did the California-born son of a commercial airline pilot come to be a top touring honcho? It wasn't easy. Steve Dixon is the son of Jerry and Patricia Dixon. He graduated from Coronado in 1982 with dreams of becoming a pop star. But he wasn't in harmony with higher education, failing out of, among others, El Paso Community College, UTEP and the University of Texas at Austin. "I told my father I didn't spend seven years in junior college for nothing," he said with a laugh. "I was a musician. I didn't care. I was going to school because my parents made me." Proud father Jerry Dixon, who now helps with the bookkeeping, said he has measured his son's success in dollars and cents. "It's been growing over the years," said the senior Dixon, 76. "You can tell by the amount of money he commands that he's obviously getting up there." Steve Dixon's big break was meeting Barbara "Mother" Hubbard, the scion of the Southwest concert industry, who put New Mexico State University's Pan American Center on the map. She offered to show him the ropes if he'd maintain a C average. "I figured he would go far," said Hubbard, 82. "He ... tried to be the next Neil Diamond, and I just told him, 'You'd make more money if you learn the business side of this.' That's what he did." He worked his way up from cleaning bathrooms to handling the marketing. He also graduated from New Mexico State with degrees in journalism and business. His first job was as regional director for Ticketmaster in Houston. But Dixon wasn't cut out for the 9-to-5 life. He tried restarting his music career. Then, out of the blue, he got a call from Hubbard, who said Wynonna Judd was looking for him. Judd hired him for a 1994 tour. Dixon later persuaded Barry Gibb to put the Bee Gees back together for their "One Night Only." He worked for Michael "Riverdance" Flatley's "Lord of the Dance" for two years in Europe and the Middle East before returning to the United States after his mother was diagnosed with pancreatic cancer. She beat it. Soon after, he got a call to come work for "an artist who was breaking and needed help." Britney Spears. Dixon has worked on all of her tours, rising from tour accountant to tour director and production designer. His company, Music Tour Management, conducts its business from El Paso. Among his innovations on the "Circus" tour are the 80 high-priced ($500 in El Paso) ringside seats that circle the stage. "Some of these artists hate that abyss, the six feet between the barricade (that separates them from the crowd), because it's so impersonal," he said. "So we came up with a way to turn the chairs into the barricade." He has carved out a niche by running tours that control costs while offering more bang for fans' bucks. "My forte became profitability. ... I stole the catch phrase from the film business -- that you spend money where people see it and don't spend where they don't," Dixon said. His style is to keep the lines of communication open among all the parties involved. It wasn't like that when he got into the teen pop touring business in the late 1990s. "Nobody was communicating to find out what the problems were once a tour was over," he said. "You're licking your wounds instead of preventing a train wreck." Of course, that's what a lot of people think Britney Spears is. She is slowly overcoming that image. Dixon said the singer has good creative instincts, knows how to entertain an audience and is doing well on this tour. "She has an amazing level of creativity, and she's keenly aware of the audience. Listen, she's gone through a bad time, but she's back. Back better than ever." He's got her back, too. When asked how she was holding up, Dixon answered carefully. "The only thing I'll say about her private life is one thing that's important for any of these celebrities when they're working hard is they have to find balance," he said. "That's one thing we're all focused on, to help her keep balance. She works hard, spends a lot of time with her family. But ... when she pops out of the stage and is doing her show is when she shines." Doug Pullen may be reached at dpullen@elpasotimes.com; 546-6397. Read Pullen My Blog at www.elpasotimes.com/blogs. What: Britney Spears, with Jordin Sparks and Kristiana DeBarge.When: 8 p.m. Monday. Where: Don Haskins Center, UTEP. How much: $47.50 and $97.50 (floor seats are sold out), on sale at the University Ticket Center, Ticketmaster outlets, www.ticketmaster.com and 800-745-3000. Information: 747-5234; www.utepspecialevents.com This posting includes an audio/video/photo media file: Download Now |
| Concert `without borders' not without politics - The Miami Herald Posted: 19 Sep 2009 10:05 PM PDT Colombian rocker Juanes will strap on his guitar to command the stage at 2 p.m. Sunday at Havana's historic Plaza of the Revolution, but the show has been sounding a discordant political tune for months. Juanes has repeatedly stated that his ``Peace Without Borders'' concert ``is not political.'' But the event is highly charged with the political baggage that comes with Cuba's 50-year-old regime and its ever-growing exile community. And once again, a seemingly cultural event becomes a window into the role the arts and artists have historically played in promoting the Cuban government's agenda, and, in some cases, challenging it. ``Cuba is a country divided, and everything is affected by politics,'' says Cuba culture watcher Alejandro Ríos, who runs the Cuban Film Series at Miami Dade College. ``Juanes himself is political. His songs speak of social causes and issues -- he's no Britney Spears and bubble-gum pop.'' The event, expected to attract 500,000 people to the plaza where Pope John Paul II appeared in 1998, is a classic study in how the Cuban government uses the island's cultural elite to discredit dissidents, portray Cuba as a respectful, peace-loving nation and paint Cuban exiles in Miami as war hawks. In La Jiribilla, a government-sponsored online cultural bulletin read around the world, a series of interviews with artists and combative essays from writers miscast the reaction in Miami to the concert. To the casual reader, La Jiribilla can seem simply a cultural magazine. But its articles are laced with political invective delivered by intellectuals as they are interviewed about their artistic careers and the concert. In its latest issue La Jiribilla follows Puerto Rican singer Olga Tañón on a visit to the 100-year-old Conservatorio Amadeo Roldán and quotes her: ``Cuba is more alive than ever.'' Tañón, who will sing at the concert Sunday, says she never had a school like the conservatory growing up and that she has been crying since she arrived in Havana because she's so happy she ``withstood the pressure to cancel'' her appearance. In another a headline, La Jiribilla claims that Cubans in Miami ``are breaking Juanes' records with hammers.'' ``What do they fear?'' the headline says. Fact: Only the leader of a tiny activist group, Vigilia Mambisa, broke some Juanes CDs in front of television cameras. ``That a concert for peace ignites so much war for the simple reason that it is celebrated in Cuba is totally absurd,'' one of Cuba's top actors, Jorge Perugorría, is quoted as saying in the same issue. Perugorría's comments have raised eyebrows among those who know him. He rose to fame in the 1995 Oscar-nominated movie Fresa y Chocolate (Strawberry & Chocolate), a groundbreaking film in which Perugorría plays a gay man who openly criticizes Fidel Castro's government for persecuting gays. Many of the film's stars are no longer in Cuba, including the other protagonist, Francisco Gattorno, who played a faithful Communist student. He has lived in Miami for years. ``Why would an artist of Perugorría's stature need to submit himself to something like that? Well, in Cuba defending the government is always rewarded with some goodie,'' Ríos says. Surely, the concert has commanded headlines since Juanes reportedly mentioned it on Twitter back in June when he was visiting Havana, and has since been the subject of talk shows on radio and television. This posting includes an audio/video/photo media file: Download Now |
| Cuban rocker Gorki Aguila: Juanes concert will be manipulated - The Miami Herald Posted: 19 Sep 2009 09:58 PM PDT Gorki Aguila is that rarest of Cuban creatures, an independent and dissident musician. It is a lonely thing to be, whether sitting in jail in Cuba, as Aguila once did for more than two years, or playing and recording secretly, with his raucous punk band Porno Para Ricardo, in warehouses and back rooms in Havana. Or appearing by himself in Miami -- albeit before a phalanx of media at a press conference Friday -- as Cubans on the island and their counterparts in Miami geared up for Juanes' gigantic Peace Without Borders concert in Havana on Sunday. When word of the Juanes event leaked earlier this summer, many in the Cuban exile community asked why Aguila, whose politically provocative and often obscene songs openly attack the Cuban government, was not invited to perform. INSINCERITY Aguila, who is visiting Miami, New York and Washington D.C. to promote his group's fifth album, El Disco Rojo (desteñido) (The Red Album [faded]), shrugged off the significance of the Juanes event. ``It seems to me that this concert is going to be manipulated by the Cuban government,'' Aguila said. ``I think Juanes' intentions are very ingenuous, to be pretending to do a concert for peace, if you're not going to talk about the problems in Cuba. The evil in my country has a name, and it's Fidel Castro.'' However, Aguila withheld judgment on whether the Juanes-sponsored show, which includes 15 musicians from six countries and is expected to draw more than half a million people to Havana's Plaza de la Revolución on Sunday, would have its intended effect of easing tensions between Cuba and the world. ``We'll see,'' he said. ``If that happened I'd be very happy. But the Cuban government always finds a way to manipulate things.'' AWAY FROM HOME The 40-year-old singer, who wore a red T-shirt saying ``59 -- The Year of the Mistake'' referring to the year Castro took power, has been living in Mexico with his mother and sister since April. In August 2008 he was arrested in Cuba for the second time and charged with ``social dangerousness'' and ``subverting Communist morality,'' but pressure from international press and human rights groups helped get him released. His visit to the United States is being sponsored by the Global Cuba Solidarity Movement, a Washington, D.C.-based group which seeks to raise awareness of human rights violations and the pro-democracy movement in Cuba. A Miami press conference is usually the first step toward defection for a Cuban musician, but Aguila said he planned to return to Cuba, to be with his 13-year old daughter and to continue agitating with his band. ``I want to return -- if they don't let me in, that's the responsibility of the Cuban government,'' he said. NOT INTIMIDATED But he said he was not intimidated by the possibility of reprisals for his visit to the U.S. or his outspoken comments. ``Everything I'm saying here I say in Cuba,'' he said. ``I'm always afraid -- in Cuba you're always afraid. In Cuba they don't let me speak. But I speak. I consider myself a free man.'' Maintaining his and Porno Para Ricardo's independence is difficult, but essential, he said. ``We've had to renounce all the things the system offers, being on radio, on TV, in festivals,'' he said. ``I have my weak moments,'' Aguila said. ``Sometimes I feel like Christ on the cross -- `why did you abandon me' . . . But if I don't do what I'm doing I'd lose much of the sense in my life.'' This posting includes an audio/video/photo media file: Download Now |
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