plus 4, A modern-day 411 - Denver Post |
- A modern-day 411 - Denver Post
- The Year in Review: Before we move forward, let's recap 2009 - New Haven Register
- Chef Beau MacMillan Adds Spice to Worst Cooks in America - Deadbolt
- Nobodies walk the path to stardom - Pensacola News Journal
- Nothing virtual about reality of best concerts of 2009 - Chicago Sun-Times
| A modern-day 411 - Denver Post Posted: 02 Jan 2010 12:02 AM PST ARVADA, Colo.—Kevin Atteridg is a KGB special agent, toiling from a second-floor bedroom of a snug home in a tranquil suburban neighborhood. He starts work Monday by logging on to a secure Web portal and scanning the queue of questions. "What are the five classes of chemical reactions?" A quick Google search reveals a satisfactory answer: synthesis, double replacement, single replacement, decomposition and combustion. With that, the 18-year-old earns 10 cents, which he says will go toward a college education. Atteridg works as an independent contractor for New York-based KGB (Knowledge Generation Bureau), a private company that answers wide-ranging questions, from movie showtimes to sports history, at 99 cents a pop. It is a modern-day 411 directory-assistance service. People text-message questions to KGBKGB (542542). Special agents use their computers to respond, and the answers show up via text messages. "There's a lot of different areas of life that you have to answer questions about," said Atteridg, who became a special agent in May. "I've definitely learned a lot of different facts." Agents are paid 10 cents per question for generating their own answer and 5 cents if they use answers in KGB's database. Atteridg said he makes $700 to $1,100 a month working 40 hours a week and answering about a question per minute. Even with 260 agents working Monday afternoon, there was no shortage of questions for Atteridg to Google. "Can I get the lyrics to 3 by Britney Spears?" "What does yellow mean on a mood ring?" Those are the easy ones. Atteridg said he often responds to questions that really don't have answers, such as, "If Ashton Kutcher was my brother and I was crying, what would he do?" or "How can I become Spiderman?" KGB was founded in 1992 as a traditional directory-assistance provider, a service that still generates much of the company's revenue. It launched the text-messaging service in January. "The company answers nearly a billion questions a year," said chief executive Bruce Stewart. "The majority of that still is voice, but there is a strong growth on text." The company says there are 180 special agents in Colorado and 10,000 nationwide. They range from full-time agents, such as Atteridg, to those working a few hours a week to supplement their income, such as Denver resident Leanne Enck. The 25-year-old chemist began answering KGB questions in June after her full-time job was cut to 32 hours a week. "I do research for a living for my main job so I figured I might be apt to do it online too," Enck said. Agents must pass an online aptitude test and "shadow training" before they are certified. Enck said the craziest question she has been asked is "How long does it take to cook a human brain?" "You want to put it in the microwave for seven minutes a pound," Enck said. Five Filters featured article: Chilcot Inquiry. Available tools: PDF Newspaper, Full Text RSS, Term Extraction. This posting includes an audio/video/photo media file: Download Now | ||||||||||||||||||||
| The Year in Review: Before we move forward, let's recap 2009 - New Haven Register Posted: 02 Jan 2010 12:10 AM PST It's a weird world we live in. And 2009 sure was odd. If Susan Boyle was attractive, would she even be famous? Nope. (Associated Press) Patrick Ferrucci, Register Entertainment Editor Five Filters featured article: Chilcot Inquiry. Available tools: PDF Newspaper, Full Text RSS, Term Extraction. | ||||||||||||||||||||
| Chef Beau MacMillan Adds Spice to Worst Cooks in America - Deadbolt Posted: 01 Jan 2010 10:51 PM PST Chef Beau MacMillan Adds Spice to Worst Cooks in America
On Sunday, January 3, chef Beau MacMillian steps into Worst Cooks in America with chef Anne Burrell to head up a team of some of the worst cooks in the entire country, as contestants compete to shed their bad habits and learn to cook like executives chefs to win a top prize of $25,000. Leading up to the January 3 Food Network premiere of Worst Cooks in America, we caught up with executive chef Beau MacMillan to find out what the worst cooks are lacking, how various spices can help, how people look at coking at home, and why so many people don`t know how to cook. THE DEADBOLT: How important is a knowledge of spices? BEAU MACMILLAN: Oh, wow. I mean, it's basically another ace up a chef's sleeve when he has a hold on spices, because you're able to take food to another dimension I believe. There are a lot of chefs out there, the ones that possess the whole range of the different elements. I'm talking about great quality proteins to being able to master your sensory in your mouth, from sour to bitter to salty to sweet, and balance those and maybe even trap spice. If you have a grip on spice, it's just another weapon in your arsenal. It can take food from one dimensional or two dimensional to three or four dimensional. THE DEADBOLT: Like cinnamon in meatloaf. Yummy!
THE DEADBOLT: You've mentioned that most of the contestants have never worked with knives before. How many people cut themselves? MACMILLAN: You know, that's a good question. There were a few cuts in the show for sure. I don't have a grip on how many, there were a few disasters, but I don't want to give them away. I'll tell you one thing that was intimidating: we went to work on teppanyaki tables and the master teppanyaki chef came up to do a demo for all of the guys, so they were shaking in their boots. THE DEADBOLT: If you accidentally make something too salty, can you salvage it or is it garbage? MACMILLAN: It depends on what it is. Generally in cooking when you overdo something, it's done and it's basically start from scratch. You overcook a piece of meat, what are you going to do? You have to start over. With salt it's the same way, depending on what it is. For instance, if you're making a sauce and it tends to have too much salt, you can maybe butter it out or make another batch and add it together that isn't seasoned. But generally just like in everything, once a disaster happens there's really no remedy. So you can't really remedy a disaster, you can avoid one. THE DEADBOLT: Is Worst Cooks contestant Hamed the typical American who can't cook, like those who just open a can of something.
I remember a statistic back in culinary school. They said, "About twenty years from now, how many people will be able to make a soup from scratch?" My God, that breaks my heart. I'm like, "I better learn how to make one so twenty years from now I can make some money." But I was watching one of the contestants in his home tryout video and his girlfriend saying, "Here's the extent of David's dinner." She opened up the freezer and there's all of his frozen pizzas and hot pockets. The guy comes home and nukes and eats it, and I'm like, "Dude, really?" So if that's out there, I want to change America. I'm on a mission to set the record straight.
MACMILLAN: I think sometimes, too, a lot of it comes down to confidence. There's one thing. People are like, "Oh, I'm a horrible cook. I had this meatloaf once or I made this dish once or I did this once and it was so bad. I'm just embarrassed." When I hear that, I'm like, "Do you know how many times I made a dish that just didn't come out right?" You think about people in the sports industry who say, "I missed 800 chances to win the game but I made 25." That's what I just don't get with people. As far as food goes, this is something that we need, nourishment. This is something that we all as human beings, no matter how far apart on the globe, what our belief systems are, or what we were taught, we can relate to. We can all say, "Yes, that is amazing chocolate pudding." You know what I mean? No matter where we come from, we need this as sustenance and as life. But yet people are willing to give up that easy and say, "Oh well, you know, I tried this once and it didn't work out." Well, you know what? Try it again. -- Troy Rogers
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| Nobodies walk the path to stardom - Pensacola News Journal Posted: 01 Jan 2010 10:29 PM PST (2 of 2) 'It's not about work'"What we've seen over the past several years is that reality stars can sell as well or better than A-list movie stars," says Bonnie Fuller, president and editor in chief of HollywoodLife.com and former editor of Us Weekly and Star magazine. "The boundaries have gone by the wayside." Actors who want to sit for posed pictures and chat about the art of their work just don't get the buzz going like an easily accessible reality star caught up in a sordid drama. Celebrity coverage has "gotten more invasive about all the wrong things," says actor Jude Law, a real star. "It's not about work — it's about your private life. And I personally never have and never will have any interest in anyone else's private life — where they eat, where they shop, how much they eat or whatever. It detracts from great people doing great work." Actress Sarah Jessica Parker says the information overload has affected people's thought process. "We've lost our ability to be critical thinkers. We tend to consume a lot of information that isn't important. What gets lost in that is real work, and talking about real work and a person's endeavors. "It's very harmful to us, never mind hurtful and untrue. I wish we put as much effort into figuring our relationship with Afghanistan than figuring out people's personal relationships," she said. It's a cheapening of stardom. No longer do you have to be an Oscar nominee to get attention. Hungry for newsSo who's to blame for all of this? How has it evolved? Michael Steele, editor in chief of Us Weekly, says it's "connected to our country's appetite for celebrity. The number of places you can get your fix has increased." At the beginning of the decade, People magazine ruled celebrity coverage, with well-sourced, big-get interviews with A-list celebrities. Now there are more weeklies (Us Weekly, Star), more celebrity sites and blogs (PerezHilton.com, JustJared.com) and outlets (HuffingtonPost.com, TalkEntertainment.com) that aggregate all the other outlets. It's celebrity news to the nth degree. Maybe it's that the entire concept of "celebrity" has changed, and maybe it can be traced to Paris Hilton, who is regarded as one of the early pioneers of the non-celebrity celebrity. She and the Kim Kardashians of the celebrity world "show up at everything and look good on the red carpet, and then people start paying attention to them and start publishing them," says Kevin Mazur, former Rolling Stone staff photographer and co-founder of WireImage photo agency. "And then other people start raising eyebrows. You get club promoters that start having them come to their clubs. It's a whole different world now." Mazur says these non-celebrities are becoming as famous as "people like Sean Penn and (Robert) De Niro, who really study their craft. ... It's mind-boggling." Five Filters featured article: Chilcot Inquiry. Available tools: PDF Newspaper, Full Text RSS, Term Extraction. | ||||||||||||||||||||
| Nothing virtual about reality of best concerts of 2009 - Chicago Sun-Times Posted: 01 Jan 2010 11:05 PM PST
In a high-tech world where virtual experiences are becoming ever more popular, you still can't beat the real thing: Sorry, but playing "Rock Band" is vastly inferior to playing in a rock band, or to having a band rock your world onstage. No digital trip will ever match the intensity of being in a crowd at a great live performance, where the artists absorb the energy of the fans in the crowd, amplify it and reflect it back in an increasingly powerful feedback loop that ultimately creates a unique and transcendent experience. On the first day of the New Year, here is a look back at my choices for the best live shows from the hundreds I witnessed in 2009. I look forward to seeing many more in 2010, and I hope to run into you in the clubs. 1. Them Crooked Vultures at Metro, Aug. 10 The world premiere of the new supergroup featuring Josh Homme (Queens of the Stone Age), Dave Grohl (Nirvana and the Foo Fighters) and the legendary John Paul Jones (Led Zeppelin) was yet another historic night for Metro to add to its storied legacy. Reflecting on that early morning show several months later, it underscores that some bands just need to be seen live: It was precisely because this gig was so astounding that the group's self-titled debut album came as a disappointment in November. The album suffers from Homme's relatively weak vocals and scattershot songwriting. At Metro, these were mere window dressing for the phenomenally powerful attack of Jones on bass and Grohl doing his best John Bonham imitation, pummeling the drums. Lucky fans felt the low-end rumble rattling their innards and left in the wee hours of a new day with their ears ringing, and life couldn't have been any better. 2. The Jesus Lizard at Metro, Nov. 27 Chicago's noise-rock heroes of the '90s were very, very good at the Pitchfork Music Festival in July, but they were mind-blowing in their second hometown reunion show, where the confines of Metro focused the intensity of Duane Denison's acid-surf guitar and the fluid but ferocious rhythms of bassist David Wm. Sims and drummer Mac McNeilly. Then there was frontman David Yow. No, Yow in 2009 isn't quite as crazy as Yow in 1994. But as he channeled otherworldly demons with his vocal bleats and yowls, he did spend a third of the night atop the upstretched arms of the crowd, and he paid a price for his insanity. During the second encore, the crowd parted, he hit the floor hard and then left in an ambulance to be treated at the hospital for bruised ribs. So yes, rock 'n' roll still is very much a life-or-death proposition for one of the best bands this city has ever produced. 3. The Feelies at Millennium Park, June 29 What separates the great reunions from the cash-in comebacks? Passion. Bands like the Pixies can reunite and play all the old songs the same as they did back in the day, but you can tell they're just going through the motions. Not so with New Jersey's frenetic art-punks the Feelies, who came to the city's most gorgeous outdoor venue for their first performance here in 18 years, building from a lush jangle early in the set to the undeniably insane grooves of "Raised Eyebrows" and "Crazy Rhythms" at the end, and prompting a mass rush of pogoing dancers to the lip of the stage. 4. F---ed Up and Ponytail at the Pitchfork Music Festival, July 18 In addition to the always invigorating communal vibe, Pitchfork rarely fails to deliver a hefty handful of startling midday performances from bands who rise from merely intriguing on record to out of this world onstage. This year's highlights came on Day 2 from two bands featuring one-of-a-kind vocalists. Toronto-based art-punk provocateurs F---ed Up are led by the outrageously energetic, bald, bearded and beer-bellied singer Pink Eyes, while New York's Ponytail is fronted by the much smaller but no less mesmerizing Molly Siegal, who jumped non-stop through a hyper set while evoking Yoko Ono and Bjork dueting on the B-52s' "Rock Lobster." 5. Thenewno2 and Ida Maria at Lollapalooza, Aug. 8 Surprises like Ponytail and F---ed Up are harder to come by at Lollapalooza because there are so many more non-musical distractions, but they can still be had, generally on the smaller stages early in the day. My highlights this year were the Chicago debut by Thenewno2, the swirling, psychedelic art-rock band led by Dhani Harrison, son of the late Beatle George Harrison, and Ida Maria, the Norwegian singer and songwriter who threw herself into indelible anthems such as "I Like You So Much Better When You're Naked" and ended her show by flailing on the stage and out-Iggy-ing the head Stooge himself during a cover of "I Wanna Be Your Dog." 6. The Dead Weather and Screaming Females at the Vic Theatre, July 28 Speaking of strong female singers, this was a night that gave us two of them, with the scary but sultry Alison Mosshart of the Kills moonlighting in Jack White's latest side project, sinister blues-rockers the Dead Weather, and Marissa Paternoster reviving the fierce but melodic spirit of Bob Mould circa Husker Du's "New Day Rising" with her galvanizing New Jersey trio, Screaming Females. Lady Gaga couldn't dream of being 1/1,000th as interesting as these women. 7. Nine Inch Nails at the Aragon Ballroom, Aug. 28 At age 44, Trent Reznor retired one of the most influential bands of the alternative era with style and grace after a 21-year run, going out on top while NiN still was making some of the most inventive music of its career. "This isn't meant to last/This is for right now," Reznor sang early in the evening, then proceeded to deliver a 2-hour and 20-minute overview of one of the most diverse and rewarding catalogs in rock. 8. Leonard Cohen at the Chicago Theatre, May 5 The 74-year-old Canadian singer and songwriter followed the same script, stage patter and all, laid out on his "Live in London" album, but the lack of spontaneity was a quibble: Fans never expected to hear that rumbling baritone live again, much less during a generous three-hour show that embraced all of his most unforgettable songs, from "Bird on the Wire" and "Suzanne" to "Chelsea Hotel" and "Hallelujah." 9. Lily Allen at the Riviera Theatre, April 12 It was Easter Sunday at the Riv, and 23-year-old English singer and songwriter Lily Allen was reborn, morphing from the sexy, sassy and cheerfully bratty bad girl of her 2006 debut, "Alright, Still," to a deeper, more mature -- though no less challenging or funny -- presence on the more personal material from her sophomore effort, "It's Not Me, It's You." Encoring with a cover of "Womanizer," Allen added layers to the song that Britney Spears couldn't find with a GPS. 10. Kanye West's G.O.O.D. Music Showcase, South by Southwest, March 21 When no less an authority than the president of the United States calls you "a jackass," it's time to reconsider the silly celebrity antics -- especially when you're at the top of your game as a performer and a producer of stellar talent. West's star shone brightly in Texas as he interspersed stripped-down but undeniable versions of the best songs from his four albums with cameos from the performers he's championing on his G.O.O.D. Music label, including English soul singer Mr. Hudson, rappers Consequence, Kid Cudi and Tony Williams, and fellow Chicagoans Leonard "GLC" Harris and Really Doe. Oh, and Common and Erykah Badu stopped by, as well, providing the night's climax with a truly joyous version of "The Light." Even Taylor Swift would have been a Kanye fan if she'd witnessed all of that. Five Filters featured article: Chilcot Inquiry. Available tools: PDF Newspaper, Full Text RSS, Term Extraction. | ||||||||||||||||||||
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